Here are some questions to think about for 30th June 2011. Also, if anyone would like to bake this time, please let me know.
- Eccentrics thrive in Berendt’s Savannah. Does this mean that the people of Savannah are unusually tolerant? In what ways are they tolerant, and in what instances do they prove to be intolerant? How tolerant are they when it comes to the crossing of sexual, racial, or class lines?
- How would you describe Jim Williams’s character? Do you find him amusing? Sinister? How much sympathy do you have for him? Reading the book, did you hope for him to be acquitted? Why, or why not?
- What do you think the narrator’s attitude is toward the voodoo that is practiced on Williams’s behalf? Does he imply that it is of any value? How would you describe Minerva? Is she the sort of person you would expect to be practicing voodoo?
- One reader from Georgia has said of Berendt, “I think he captured what it is to be Southern. He captured the not-talked-about way of life” (USA Today 4/15/94). If this is true, what would you say it is to be Southern? What does the South Berendt describes represent? Does it differ from stereotypes about the South?
- Midnight in the Garden of Good and Evil begins with a portrait of Jim Williams, the man around whom the book's "plot" revolves. Yet the author sweeps Williams offstage after one chapter and we do not encounter him again until the end of Chapter 11, when we learn that he shot Danny Hansford. What does Berendt accomplish by doing this? Is Midnight truly Williams's story, and if not, who is its real protagonist?
- As elaborate as these façades are, Berendt suggests that they are also transparent. The salesman's boss knows that he wears makeup on one eye, just as none of Lee Adler's old associates buy his altruistic pretensions. Why, then, might the characters in this book maintain their various masquerades? Is Berendt saying anything about the façades that all of us adopt in order to survive?
Questions are from Reading Group Guides.